Home Video Round-Up: 2/20/2018

Faces Places (2/10/2018)

Agnès Varda and the increasingly reclusive Jean-Luc Godard are among the last leaders of the legendary French New Wave still standing and it’s admirable that both still seem to be making movies.  Varda’s latest is a documentary of sorts, albeit not a traditional verite one, in which she is more or less the subject.  In the film Varda and a modern artist who goes by the name JR(who shares co-director credit) travel into the French countryside meeting people and taking pictures that are pasted onto surfaces as posters in interesting ways, which seems to be JR’s medium of choice.  These poster projects are neat and have a certain element of Banksy style street art but if the movie only existed to depict this little art project it would be a rather slight work. Instead I think this is primarily a movie about Varda herself and what light is shed by her friendship and collaboration with this younger artist who in many ways seems to have styled himself after the mannerisms of the generation of artists she came from.  All of this was almost certainly intentional and I suspect that a lot of the framing here was staged, which is part of why I hesitate to even call it a documentary really, but hanging out with these people is quite pleasant and the film ends up being a very fascinating watch.

**** out of Five

Nocturama (2/10/2018)

This controversial French thriller begins with a group of young people carrying out a series of terrorist attacks and then meeting up in a department store after hours to regroup and wait out the law.  The terrorists in question are young, multi-racial, and do not appear to be driven by Islamic extremism. They appear to be some sort of anarchist collective or environmentalists or something but the film goes out of its way to make unclear what their motives are for these actions or what they thought they would accomplish by carrying them out.  This was clearly a deliberate choice but I’m not sure what it was supposed to accomplish as it becomes incredibly difficult to understand any of these people without some insight into their motivations and without that this stops being any kind of useful character study and resigns itself to being a slick procedural.  Director Bertrand Bonello shoots the film with clear efficiency and there is excitement to seeing these people carry out their plans, in part because it isn’t exactly clear what they’re up to at first and there’s also a certain interest in seeing them hang out afterward though the absence of motivation does start to hurt the film in those segments as well.  The film walks the walk of a great movie and it is worth watching but its script’s decision to avoid explanation ultimately lets it down.

***1/2 out of Five

Loving Vincent (2/15/2018)

Loving Vincent is a Polish/English co-production about the life of Vincent Van Gogh told through a unique animation style.  The film was constructed by filming actors in front of green screens and then animating over them, but rather than using traditional cartoon style animation the film animates using oil painting in Van Gogh’s signature style by hand.  I repeat, this is an animated movie done in oil paint.  That technical/visual accomplishment is amazing and makes the movie worth seeing, unfortunately the movie itself doesn’t really live up to its style.   The film takes something of a Citizen Kane approach of investigating a life through flashbacks as someone investigates him after his death which isn’t a terrible idea but the movie doesn’t do much to really invest the audience in the investigator or any of the side characters being interviewed.  The actors her also feel a bit “central casting” and I feel like the movie would have been elevated if it had the budget to bring in a couple of more noteworthy actors.  Were it not for the animation style this would be little more than the type of movie they show to tour groups at museums, but again, that animation style is really interesting so I can’t mind too much.

***1/2 out of Five

Unrest (2/19/2018)

When you watch a lot of documentaries you come to learn about a lot of issues and movements you otherwise would have been oblivious to.  One such issue was the way the medical establishment treats sufferers of Myalgic Encephalomyelitis, otherwise known as Chronic Fatigue Syndrome.  This disease is controversial within the medical establishment, with many suggesting that it is likely psychosomatic.  The film is clearly opposed to such skepticism in no small part because it was directed by someone who suffers from the ailment.  That director, Jennifer Brea, was struck down and bedridden by what is believed to be ME/CFS and actually made most of the movie via interviews over skype and with footage taken as she begins reacting to the ailment.  The film looks a bit at the history of ME/CFS in medicine and profiles a handful of other sufferers around the world as well as the run-up to a large scale day of protest that apparently happened (I don’t think it got much press).  Part of the argument here is that the affliction is simply so neglected by the scientific establishment that there’s really not enough research to know one way or another what is at the root of the disease and that a lot more funding needs to go into the field.  That having been said, Brea has obvious reason to be biased in this and I did get the feeling throughout that we were only getting one side of this debate and that there must be more to the scientific consensus than what we’re being shown.

*** out of Five

Last Man in Aleppo (2/20/2018)

I’ve seen a decent number of documentaries set in war zones, and I’ve got to say they aren’t always as exciting as you might expect.  The people in them tend to be too busy trying to survive to really take on much of a character arc and when the action pops off it’s rarely as compelling as you’d thing, in part because for some reason the camera people tend not to be very careful with their framings while explosions are going off around them and bullets are whizzing past.  This documentary has some of those same problems as it looks at what life is like in Aleppo during the ongoing civil war (spoiler: it’s not a very nice place).  The film is, more specifically about a group called “The White Helmets” who are civilians who have volunteered to act as first responders saving civilians caught in bombing runs.  Last year’s Oscar winning Documentary short subject The White Helmets gave a pretty good overview of this group for those interested, this documentary (which is not affiliated with the other one) was made by locals and gives an expanded look at this group and paints more of a picture of their day to day lives.  It’s hard to fault the movie too much, it is being made by people who are risking their lives after all and it is certainly of some worth but I didn’t personally connect with it too much.

**1/2 out of Five


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